Fade To Balck amp settings — Behringer V-ampire LX210
The Metallica guitar tone for “Fade To Balck”, dialed in for a Behringer V-ampire LX210 with a Yamaha Erg 121. Studio version, Ride the Lightning (1984)
James Hetfield: Mesa Boogie Mark IIC+ clean channel, Gibson Flying V with EMG pickups, Roland JC-120 chorus effect, tape delay. Kirk Hammett leads: Marshall JCM800, Gibson Les Paul, wah pedal.
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 3 |
| Master | 6 |
01Chorus (Line 6 Pod Go - 80s Chorus or Dimension)
Essential for the shimmering clean intro sound. Modeled after Roland JC-120 built-in chorus.
02Digital Delay (Line 6 Pod Go - Transistor Tape or Digital Delay)
Set delay time around 350-400ms for the atmospheric clean sections.
03Noise Gate (Line 6 Pod Go)
Tighten up palm mutes during heavy rhythm sections.
The Behringer V-ampire's Roland JC-120 or Fender Twin model gets closest to the original's clean platform. Your Yamaha ERG 121 has passive humbuckers versus the original's active EMGs, so I raised treble +1 and presence +1 to compensate for the lower output and warmer character. The Pod Go handles the critical chorus and delay — route the V-ampire through the Pod Go's FX loop return for best results, using the Pod Go as your effects processor.
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These settings are for a Behringer V-ampire LX210. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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