Tone library / Metalica / Seek and destroy

Seek and destroy amp settings — Orange Crush 20

The Metalica guitar tone for “Seek and destroy”, dialed in for a Orange Crush 20 with a Fender Player Stratocaster. Studio version, Kill 'Em All (1983)

Original rig

Gibson/Epiphone Flying V with humbuckers → hot-rodded Marshall JMP 2203 (Jose Arredondo mod), Ibanez TS9 Tube Screamer, ProCo RAT

Scooped thrash rhythm — tight percussive palm mutes, aggressive high-gain saturation, sharp treble bite, chunky low-end, dry
Amp settings — Orange Crush 20
CHANNELDirty channel
GAIN 10 BASS 6 MID 3 TREBLE 7 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain10
Bass6
Mid3
Treble7
Reverb0
Master7
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Ibanez TS9 Tube Screamer (or clone)

RECOMMENDED — not currently owned. Essential for tightening the low-end and adding midrange cut that the Crush alone cannot achieve. A Boss SD-1 or Behringer TO800 works as budget alternatives.

Drive 3 · Tone 6 · Level 7
Why these settings

The Orange Crush 20 is warm with thick low-mids, opposite to the original's tight, scooped Marshall. Bass dropped from the original's 8-9 to 6 to prevent mud on the Crush's voiced low-end. Mids raised slightly to 3 (original was 1.5-2.5) because the Crush is already mid-forward and further scooping loses definition. Your Strat's single-coils output significantly less than Hetfield's humbuckers — gain maxed at 10, and a Tube Screamer is strongly recommended to compensate for the output gap and tighten the response.

PRO TIPPalm mute directly over the bridge saddles, not toward the neck — Hetfield's percussive chunk comes from extremely tight muting. Angle your pick slightly and attack hard; the tone lives in the right hand aggression as much as the gear.

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These settings are for a Orange Crush 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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