Five Magics amp settings — Laney LX412A
The Megadeth guitar tone for “Five Magics”, dialed in for a Laney LX412A with a Ibanez RG27SP. Main thrash rhythm riff, Studio version, Rust in Peace (1990)
Jackson King V / Kelly with Seymour Duncan JB pickups -> Marshall JCM800 / Bogner Fish preamp into VHT 2150 power amp -> Marshall 4x12 cabs
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 7 |
| Reverb | 0 |
| Master | 5 |
01Behringer Tube Amp Modeler TM300
Set switches to Amp: BRIT, Mode: HI GAIN, Mic: CLASSIC. Acts as the Marshall/Bogner style preamp gain source.
02Behringer Ultra Metal UM300
Used as a tight mid-focused boost into the TM300 to replicate the razor-sharp upper-mid thrash cut.
Because the Laney LX412A is a speaker cabinet driven through a flat solid-state power section or head, the Behringer TM300 is configured to British Hi-Gain to supply the core Marshall-style crunch. The Ultra Metal UM300 provides the signature aggressive upper-mid push around 2-3 kHz while keeping the amp's clean channel gain low to prevent flubby double-distortion. The studio track is totally bone-dry on rhythm, so reverb remains bypassed. Clean intro: bypass both pedals and roll guitar volume to 7.
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These settings are for a Laney LX412A. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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