Freaking Out the Neighborhood amp settings — Boss Katana 50 MkII
The Mac DeMarco guitar tone for “Freaking Out the Neighborhood”, dialed in for a Boss Katana 50 MkII with a Harley Benton CST-24T. Studio version, '2' album (2012)
Fender Vibro Champ (6W tube) → Roland KC-550 keyboard amp, Teisco 'Cardboard Queen' guitar, MXR Micro Amp, JHS Colour Box, EHX Holy Grail Reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 6 |
| Treble | 7 |
| Presence | 4 |
| Reverb | 6 |
| Master | 5 |
01Katana Booster (internal effect — simulates MXR Micro Amp)
Use the 'Booster' effect in Boss Tone Studio set to 'Clean' or 'Treble' type; engage when you want the pushed, slightly compressed attack Mac gets from his Micro Amp
The original Vibro Champ is a low-wattage tube amp with natural sag and warmth; the Katana Clean channel is more sterile and has more headroom. Gain at 3 adds just enough harmonic content to simulate tube breakup without actual distortion. Treble at 7 compensates for the CST-24T's humbuckers being darker than Mac's Teisco single-coils. Reverb at 6 replicates the heavy Holy Grail wash he uses—this is a wet tone.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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