Kashmir amp settings — Blackstar Silverline stereo deluxe
The Led Zeppelin guitar tone for “Kashmir”, dialed in for a Blackstar Silverline stereo deluxe with a Prs Se Mark Tremonti. Studio version, Physical Graffiti (1975) — main ascending DADGAD riff
1961 Danelectro 3021 (Lipstick pickups) / 1959 Gibson Les Paul Standard → MXR Phase 90 → Marshall Super Bass / 1959 Super Lead 100W → 4x12 Marshall cabs
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 6 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 5 |
01MXR Phase 90
In front of amp input before dirt; keep the sweep slow and subtle for the signature cyclic motion.
02TC Electronic Hall of Fame 2
Set to Hall or Plate mode (FX loop preferred) to recreate the vast Headley Grange stone-hall ambience.
The Blackstar Silverline's Crunch voice paired with the EL34 response and ISF set hard to the British side perfectly tracks Page's cranked non-master Marshall Super Bass. The PRS Tremonti's humbuckers are substantially hotter and darker than Page's Danelectro lipsticks, so using the middle position (both pickups) with the volume backed off slightly to 9 thins out the low-end mud and restores string clarity. Phase 90 must run into the amp's front input so the phasing is chewed up by the amp crunch rather than sitting cleanly on top.
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These settings are for a Blackstar Silverline stereo deluxe. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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