Tone library / Lady Pank / Kryzysowa narzeczona

Kryzysowa narzeczona amp settings — Fender Twin Reverb

The Lady Pank guitar tone for “Kryzysowa narzeczona”, dialed in for a Fender Twin Reverb with a Squier Classic Vibe 60s Stratocaster. Studio version, Lady Pank debut album (1983)

Original rig

1978 Fender Stratocaster, Marshall amplification, Boss CE-1 Chorus, Boss CS-1 Compressor, flanger effect

Shimmering clean riff with flanger modulation, transitioning to gritty mid-forward overdrive on solo
Amp settings — Fender Twin Reverb
CHANNELNormal channelBRIGHToff
GAIN 3 BASS 5 MID 6 TREBLE 6 PRESENCE 5 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain3
Bass5
Mid6
Treble6
Presence5
Reverb2
Master5
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Guitar
PICKUPneck+middle TONE7 VOLUME10
Signal chain

01Boss CS-3 Compression Sustainer (or similar compressor)

RECOMMENDED — not currently owned. Essential for the smooth sustain and even dynamics Borysewicz used. A Dynacomp or MXR Comp works too.

Level 7 · Tone 5 · Attack 4 · Sustain 6

02Boss BF-3 Flanger (or similar flanger)

RECOMMENDED — not currently owned. Critical for the intro riff. Borysewicz specifically mentioned using flanger on the opening motif. A chorus pedal (Boss CE-5) is a backup option but won't nail the jet-sweep.

Rate 3 · Depth 6 · Manual 5 · Resonance 4

03Tube Screamer (TS9 or TS Mini)

RECOMMENDED — not currently owned. For the overdrive solo section. The original used Marshall crunch; your Twin Reverb won't break up, so this pedal is mandatory for the lead tone.

Drive 6 · Tone 5 · Level 7
Why these settings

The original Marshall had natural mid-forward crunch; your Twin Reverb is scooped and stays clean at any volume. Mid pushed to 6 compensates for Fender's mid-scoop. Without an overdrive pedal, you cannot achieve the solo tone — the TS9 is non-negotiable for that section. For the clean intro riff, your Twin excels, but you need a flanger to replicate Borysewicz's signature swoosh.

PRO TIPFor the intro riff, engage the flanger and pick lightly near the neck for that glassy '80s Polish rock shimmer. When the solo hits, kick off the flanger, kick on the Tube Screamer, switch to bridge pickup, and dig in harder — the dynamic shift is part of the song's drama.

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