Living After Midnight amp settings — Traynor Ycv40
The Judas Priest guitar tone for “Living After Midnight”, dialed in for a Traynor Ycv40 with a Fender Player Stratocaster. Studio version, British Steel (1980), recorded at Startling Studios with producer Tom Allom
Marshall JMP Master Volume 2203/2204 heads, Gibson Flying V (KK Downing) + Gibson Les Paul Custom/SG (Glenn Tipton), Boss OD-1 Overdrive for boost, minimal effects
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 8 |
| Treble | 7 |
| Master | 5 |
The YCV40 is EL84-based with a Fender-influenced clean channel and a British-voiced overdrive channel — use the Overdrive channel to approximate the JMP's crunch. Your Strat's single coils are brighter and lower output than the original humbuckers, so mid is pushed to 8 (vs original 7) to compensate for the thinner midrange and gain stays moderate at 6 to avoid fizz. Bass dropped to 5 to prevent flub from the Strat's lower-end response. The YCV40 lacks presence and reverb knobs — the recording was dry anyway.
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