Breaking the Law amp settings — Marshall Mg 50 mfx
The Judas Priest guitar tone for “Breaking the Law”, dialed in for a Marshall Mg 50 mfx with a Jackson Js32t king v. Studio version, British Steel (1980)
Gibson Flying V (KK Downing) / modified Fender Stratocaster with Super Distortion (Glenn Tipton) → Marshall JCM800 2203 / 1959 Super Lead, bridge humbuckers, no pedals, dual-tracked hard-panned
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
The MG50 MFX OD1 channel approximates the JCM800 grind but with a tighter, more solid-state voicing. Pulled presence down 1 from the original 7 to avoid fizz — the MG's presence circuit gets harsh faster than a tube Marshall. Your Jackson's high-output humbuckers match the EMG-era Priest output closely, so gain stays at 7 where the original sat.
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These settings are for a Marshall Mg 50 mfx. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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