K Garu amp settings — Flamma fg200
The John Rai guitar tone for “K Garu”, dialed in for a Flamma fg200 with a Sqoe Selp200. Live performance, John Chamling Rai live band arrangement (Lead Guitar Solo by Shreehang Rai)
Fender Stratocaster / Superstrat into clean Fender/Matchless style tube amp platform with TS-style Overdrive, Analog Delay, and Hall Reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Reverb | 5 |
| Master | 7 |
01Compressor Block
Smooths picking transients and adds sustain for legato lines
02Tube Screamer / Green Drive Block
Primary mid-focused gain source pushing the clean amp model
03Digital/Analog Delay Block
Set to dotted 8th or ~380ms for ambient trail
04Hall Reverb Block
Creates wide live performance atmosphere
The Sqoe Selp200 (Les Paul style humbuckers) has a thicker, darker output than the single-coil Strat typically used for modern Nepali indie leads. Running the neck pickup with tone slightly rolled to 8 retains a creamy singing quality while keeping the Flamma FG200 amp model gain at 3 to prevent low-end mud from the humbuckers. The TS drive block provides the crucial vocal mid-hump needed to cut through the mix.
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These settings are for a Flamma fg200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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