Slow Dancing in a Burning Room amp settings — Fender Twin Reverb
The John Mayer guitar tone for “Slow Dancing in a Burning Room”, dialed in for a Fender Twin Reverb with a PRS SE Custom 24. Studio version, Continuum (2006)
1964 Fender Stratocaster (neck-middle position) → Klon Centaur → Fender Deluxe (main), Two-Rock Custom Reverb (overdubs), Dumble SSS + Marshall (solo)
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 4 |
| Master | 6 |
01Klon Centaur (use HX Stomp 'Minotaur' model)
Always-on transparent boost — low gain, level pushed to drive the Twin's preamp into touch-sensitive breakup
02Tube Screamer (use HX Stomp 'Scream 808' model)
Stack on top of Minotaur for solo sections only — adds mid-push and sustain
03Delay (use HX Stomp 'Vintage Digital' or 'Transistor Tape')
Subtle slapback ~300-350ms, low in mix — adds depth without washing out note definition
Your Twin Reverb is the closest match to the original Deluxe voicing — same Fender clean platform but louder and more headroom, so gain stays moderate at 4 to achieve edge-of-breakup rather than pristine clean. Your PRS SE Custom 24 has hotter humbuckers than Mayer's vintage single-coil Strat, so I dropped treble from the typical 6 to 5 and rolled your guitar's tone knob to 7 to tame the upper-mid harshness and approximate that glassy Strat quack.
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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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