The Passenger amp settings — Boss katana 50W gen 3
The Iggy Pop guitar tone for “The Passenger”, dialed in for a Boss katana 50W gen 3 with a Fender Stratocaster. Studio version, Lust for Life (1977) — Ricky Gardiner on rhythm guitar
Fender Stratocaster (bridge or bridge+middle position), clean-to-edge-of-breakup amp (session recordings suggest Fender-style clean platform or lightly driven British amp), no significant effects — dry, direct tone
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 6 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
The Katana's Crunch voice approximates a JCM800-style edge-of-breakup, which matches the punchy-but-not-saturated studio tone. Gain at 4 keeps the clipped, staccato attack intact without mushiness. Your Strat bridge pickup is period-correct to Gardiner's setup—no adaptation needed there. Rolling tone to 8 tames any ice-pick highs the Katana's digital treble can produce. Recording is bone-dry, so reverb stays at 0.
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These settings are for a Boss katana 50W gen 3. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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