Razorblade Kiss amp settings — Marshall MS-2 Micro
The HIM guitar tone for “Razorblade Kiss”, dialed in for a Marshall MS-2 Micro with a Fender Player Stratocaster. Studio version, Razorblade Romance (1999)
Laney GH100L head through 4x12 cab, Gibson Les Paul with humbuckers, Dunlop Cry Baby Wah (used by session player Zebraman on specific tracks), recorded at Rockfield Studios by John Fryer
| Knob | Setting (0–10) |
|---|---|
| Gain | 0 |
| Bass | 6 |
| Treble | 4 |
| Master | 7 |
01Nux XTC OD
Primary gain source - amp stays clean, pedal provides all the crunch
The MS-2 is a tiny solid-state practice amp with only Gain, Tone (bass-treble sweep), and Volume - no separate EQ or presence. It cannot produce the Laney's warm tube saturation on its own. The XTC OD becomes your entire gain stage here - amp gain at 0 keeps it clean while the pedal delivers the mid-focused crunch. Tone at 4 on the amp rolls off the MS-2's inherent brightness. Your Strat's single coils are brighter and thinner than Linde's Les Paul humbuckers, so neck pickup with tone rolled to 6 adds necessary warmth.
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These settings are for a Marshall MS-2 Micro. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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