Destroy Everything amp settings — Headrush prime Prime
The Hatebreed guitar tone for “Destroy Everything”, dialed in for a Headrush prime Prime with a Epiphone Les Paul Studio. Main riff and rhythm tracks, Supremacy (2006)
Mesa Boogie Dual Rectifier (Modern channel) blended with Marshall JCM800/900, ESP/LTD Eclipse guitars with active EMG 81/85 pickups, Ibanez TS9 Tube Screamer boost
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 6 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 7 |
01Green JRC (TS9 model block)
Front of amp block — classic metal tightening boost
02Graphic EQ (post-amp block)
Slight V-curve cut at 800Hz for modern hardcore punch
The Headrush Prime uses the Treadplate Modern amp block paired with an onboard Green JRC drive block to reproduce the Rectifier and Tube Screamer tracking chain. Because the Epiphone Les Paul Studio has passive Alnico humbuckers rather than the original's high-output active EMG 81s, the boost level is pushed to 9 and treble set to 7 to match that signature cutting pick attack. Keep the master dry without ambient reverb to preserve Hatebreed's raw, punchy rhythm track.
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These settings are for a Headrush prime Prime. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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