Tone library / Guns'roses / Estranged

Estranged amp settings — Princenton 112 plus

The Guns'roses guitar tone for “Estranged”, dialed in for a Princenton 112 plus with a Stratocaster Floyd rose squier series. Studio version, Use Your Illusion II (1991) — main solo recorded with Derrig Les Paul and Silver Jubilee

Original rig

Marshall JCM2555 Silver Jubilee, Gibson Les Paul 1959 replica (Kris Derrig), Seymour Duncan Alnico II Pro pickups, Ibanez TS808 Tube Screamer, MXR 10-Band EQ, delay pedal

Warm, singing lead tone with rolled-off highs, sustained midrange bark, and controlled gain — vocal and expressive
Amp settings — Princenton 112 plus
CHANNELClean channelBRIGHToff
GAIN 3 BASS 5 MID 8 TREBLE 4 PRESENCE 4 REVERB 4 MASTER 6
KnobSetting (0–10)
Gain3
Bass5
Mid8
Treble4
Presence4
Reverb4
Master6
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Guitar
PICKUPneck TONE0 VOLUME10
Signal chain

01Distortion (your unit)

This is your gain source — amp stays clean. Roll tone knob back to tame Strat brightness and approximate the dark neck-humbucker sound Slash used

Gain/Dist 6 · Tone 4 · Level 7
Why these settings

The Princeton 112 Plus is a Fender-voiced solid-state amp — bright, scooped mids, clean headroom. The original Silver Jubilee is mid-forward and breaks up naturally. To compensate: mids pushed to 8 (vs original 7), treble dropped to 4 (vs original 7), and your distortion pedal provides all the gain since the Princeton won't overdrive. The rolled-down tone knob on your Strat is critical — Slash rolled his Les Paul tone to 0 for this solo, and on a bright single-coil Strat this is even more essential to kill the ice-pick highs.

PRO TIPPick over the neck pickup itself (closer to the fretboard) rather than near the bridge — this physically removes pick attack brightness and adds the warm, vocal sustain that defines this solo. Let notes ring and use slow, controlled vibrato rather than fast shaking.

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These settings are for a Princenton 112 plus. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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