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Last Night On Earth amp settings — Line 6 Helix LT

The Green Day guitar tone for “Last Night On Earth”, dialed in for a Line 6 Helix LT with a Fender American Professional II Stratocaster. Studio version, 21st Century Breakdown (2009) — main melodic arpeggiated electric guitar & solo

Original rig

1956 Gibson Les Paul Junior (dogear P-90) into vintage Fender Tweed Deluxe blended with Marshall Plexi clean-edge

Warm, chimey vintage breakup with clear top-end sparkle and rounded low-mids
Amp settings — Line 6 Helix LT
CHANNELUS Tweed Nrm (Fender Tweed Deluxe 5E3 model) + 1x12 Tweed CabBRIGHToffBOOSToff
GAIN 5 BASS 6 MID 6 TREBLE 5 PRESENCE 4 REVERB 3 MASTER 8
KnobSetting (0–10)
Gain5
Bass6
Mid6
Treble5
Presence4
Reverb3
Master8
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Guitar
PICKUPneck+middle TONE9 VOLUME8
Signal chain

01Helix Block: Kinky Boost (clean preamp boost)

Always-on clean boost into amp block to fatten Strat single coils to P-90 girth

Drive 2 · Boost 6 · Bright 5

02Helix Block: Simple Delay

Subtle dotted-eighth ambient fill

Time 4 · Feedback 3 · Mix 2

03Helix Block: Plate Reverb

Smooth studio plate ambience

Decay 4 · Predelay 2 · Mix 3
Why these settings

To compensate for the brighter, lower-output Strat single coils compared to Billie Joe's thick 1956 dogear P-90, the Kinky Boost block adds warm midrange girth and push in front of the US Tweed Nrm model. We run the Tweed amp model right at edge-of-breakup and use the Strat neck+middle position with tone rolled to 9 to tame glassy highs and capture that round, piano-like vintage arpeggio attack.

PRO TIPPick lightly with the flesh/edge of a medium pick near the neck joint on the arpeggiated verses, then dig in hard near the bridge for the solo to naturally push the Tweed model into singing compression without switching channels.

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These settings are for a Line 6 Helix LT. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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