Still got the blues amp settings — NUX MG-300 MKII
The Gary Moore guitar tone for “Still got the blues”, dialed in for a NUX MG-300 MKII with a ESP LTD M-2000X. Studio version, Still Got the Blues (1990)
1959 Gibson Les Paul Standard ('Stripe') + Marshall JTM45 Reissue prototype + Marshall The Guv'nor overdrive + Roland SDD-320 Dimension D
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 5 |
| Mid | 8 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 7 |
01Distortion Block (Guv'nor / Classic Dist model)
Primary drive source driving into the edge-of-breakup JTM45 model
02Modulation Block (Chorus / Dimension)
Subtle stereo spatial widening emulating Roland Dimension D
03Delay Block (Tape Echo / Analog Delay)
Adds ambient tail and sustain to lead lines
The NUX MG-300 MKII simulates the JTM45 set just at breakup with the onboard Guv'nor-style drive block providing the sustained saturation. Running your ESP LTD neck humbucker with tone backed off to 8 smooths out the top-end bite to match Gary's warm, singing '59 PAF neck tone. Boost the midrange on both the pedal and amp blocks to recreate the heavy vocal sustain of the original recording.
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These settings are for a NUX MG-300 MKII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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