Still got the blues amp settings — Mooer GE150
The Gary Moore guitar tone for “Still got the blues”, dialed in for a Mooer GE150 with a Tonapex 150L. Studio version, Still Got the Blues album (1990)
1959 Gibson Les Paul Standard 'Greeny' (Peter Green's guitar with out-of-phase neck pickup), Marshall JTM45 prototype reissue head set nearly clean, Marshall The Guv'nor pedal as sole distortion source
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 8 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01GE150 internal distortion block — use 'UK 800' or 'Guv'nor' model if available, otherwise Marshall-voiced distortion
This is your primary gain source — the amp model stays clean, all saturation comes from this drive block. Max the mids for that vocal 'woman tone' character
02GE150 internal chorus block — Dimension-style or analog chorus
BYPASS for lead tones — engage only for the clean rhythm sections with very subtle width
The GE150's modeling lets you replicate the clean JTM45 + Guv'nor pedal architecture directly. Select a Plexi/JTM amp model and keep it clean (gain 3), then stack a Marshall-voiced drive block with mids maxed — this matches Moore's signal chain exactly. Your Tonapex humbuckers approximate the Les Paul output; rolling tone to 6 and volume to 8 softens the attack for that singing sustain.
Get this tone on your amp
These settings are for a Mooer GE150. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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