Still Got the Blues amp settings — Boss Katana 50 MkII
The Gary Moore guitar tone for “Still Got the Blues”, dialed in for a Boss Katana 50 MkII with a Jackson JS32 Dinky. Lead guitar, Still Got the Blues (1990) studio cut
1959 Gibson Les Paul Standard ('Stripe') + Marshall Guv'nor overdrive + Marshall JTM45 Reissue prototype + Roland SDD-320 Dimension D
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 7 |
| Treble | 4 |
| Reverb | 4 |
| Master | 5 |
01Ibanez Tube Screamer TS808
Used as a warm mid-push into the main distortion block
02Boss DS-1 Distortion
Primary gain source replicating The Guv'nor's singing saturation; keep tone dark to avoid fizz
03MXR Ten Band EQ
Shapes the mid-hump and tames higher ceramic harmonics
The Katana 50 MkII runs on the Clean voice with low gain to act as a pedal platform, letting the DS-1 provide the core Guv'nor-style saturation without double-gain mud. The ceramic pickups on the Jackson JS32 are brighter and hotter than vintage PAFs, so the 4kHz/8kHz sliders on the MXR EQ and the guitar's tone knob are rolled down to replicate the warm, fluty neck tone. The TS808 stacks into the DS-1 to provide the mid-focus and infinite singing sustain Gary got from pushing the JTM45 prototype.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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