Still Got the Blues (Live) amp settings — Boss Katana 50 MkII
The Gary Moore guitar tone for “Still Got the Blues (Live)”, dialed in for a Boss Katana 50 MkII with a Epiphone ES-335. Live performances, 1990s Still Got the Blues tour
1959 Gibson Les Paul Standard, Marshall JTM45 Reissue head, Marshall 1960B 4x12 cab (EVM12L speakers), Marshall Guv'nor Mk I distortion pedal, Ibanez TS10 boost
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 4 |
| Master | 6 |
01Marshall The Guv'nor (Mk I)
RECOMMENDED — not currently owned (with pedal: switch Katana to Clean amp type, amp gain to 2)
The Katana 50 MkII lacks the physical Marshall Guv'nor pedal, so the Lead amp type with onboard booster engaged supplies the thick Marshall JTM45/Guv'nor saturation directly. Pushing the mids to 8 replicates Moore's vocal, singing sustain while keeping treble at 5 tames the ES-335's semi-hollow high end. The Katana 50 panel has no presence control, so presence is null.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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