Tone library / Gary Moore / Still Got the Blues (Live)

Still Got the Blues (Live) amp settings — Boss Katana 50 MkII

The Gary Moore guitar tone for “Still Got the Blues (Live)”, dialed in for a Boss Katana 50 MkII with a Epiphone ES-335. Live performances, 1990s Still Got the Blues tour

Original rig

1959 Gibson Les Paul Standard, Marshall JTM45 Reissue head, Marshall 1960B 4x12 cab (EVM12L speakers), Marshall Guv'nor Mk I distortion pedal, Ibanez TS10 boost

Thick, singing neck-pickup blues-rock sustain with mid-forward saturation and warm compression
Amp settings — Boss Katana 50 MkII
CHANNELLead amp typeBOOSTon
GAIN 7 BASS 5 MID 8 TREBLE 5 REVERB 4 MASTER 6
KnobSetting (0–10)
Gain7
Bass5
Mid8
Treble5
Reverb4
Master6
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Guitar
PICKUPneck TONE8 VOLUME10
Signal chain

01Marshall The Guv'nor (Mk I)

RECOMMENDED — not currently owned (with pedal: switch Katana to Clean amp type, amp gain to 2)

Gain 7 · Bass 6 · Middle 8 · Treble 5 · Level 7
Why these settings

The Katana 50 MkII lacks the physical Marshall Guv'nor pedal, so the Lead amp type with onboard booster engaged supplies the thick Marshall JTM45/Guv'nor saturation directly. Pushing the mids to 8 replicates Moore's vocal, singing sustain while keeping treble at 5 tames the ES-335's semi-hollow high end. The Katana 50 panel has no presence control, so presence is null.

PRO TIPGary Moore achieved his signature singing 'woman tone' sustain on the neck humbucker by rolling the guitar tone knob back slightly to around 7-8 and leaning hard into wide, rapid vibrato to keep notes blooming into harmonic feedback.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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