Parisienne Walkways amp settings — Fender Mustang LT 40S
The Gary Moore guitar tone for “Parisienne Walkways”, dialed in for a Fender Mustang LT 40S with a Fender Jazzmaster. Studio version, Back on the Streets (1979) — iconic sustained lead melody
1959 Gibson Les Paul Standard ('Greeny'), Mesa Boogie Mark I combo, 4x12 cab, EMT plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 8 |
| Treble | 5 |
| Reverb | 5 |
| Master | 6 |
01Onboard Overdrive Block (Greenbox / TS-style)
Engage the Mustang's internal stomp drive block to mimic the singing Mesa preamp compression and sustain
02Onboard Large Hall / Plate Reverb Block
Emulates the studio EMT plate reverb heard on the record
The Jazzmaster single-coils are brighter and have less low-mid thickness than Gary Moore's PAF humbuckers, so the amp mids are pushed to 8 and the guitar tone knob is rolled back to 7. The Mustang LT40S faceplate has Bass and Treble controls (with Mid adjusted in the preset menu and no physical Presence knob). Using the onboard drive block into the amp's lead model provides the endless, singing sustain of the cranked Mesa Mark I without needing external pedals.
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These settings are for a Fender Mustang LT 40S. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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