Parisienne Walkways (Live) amp settings — Fender Lt25
The Gary Moore guitar tone for “Parisienne Walkways (Live)”, dialed in for a Fender Lt25 with a Gibson Les Paul Studio. Live (Montreux / 1993 Blues Alive tour)
1959 Gibson Les Paul Standard ('Greeny') into Marshall 1959 Super Lead / JCM800 with Marshall Guv'nor / Ibanez TS10 boost and Roland SDE-3000 delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 8 |
| Treble | 5 |
| Master | 6 |
01BLUES DRIVE
Onboard stomp block pushing the 80S ROCK model for signature liquid sustain
02DELAY
Onboard delay block in FX slot
03LARGE HALL
Onboard reverb block loaded into REV slot
The 80S ROCK model emulates Gary's pushed JCM800 lead tone, while the onboard BLUES DRIVE adds mid-hump compression to achieve his famous infinite sustaining note without flub. Your Les Paul Studio humbuckers provide ample output, so treble is softened to 5 and the guitar tone knob rolled to 8 to avoid the harsh digital bite on the LT25 8-inch speaker. Bass is restrained to 6 to keep the neck pickup articulate rather than boomy. Middle has no knob on the LT25: press the encoder to open the preset, press it again on the amp model, then select MIDDLE on the display and turn the encoder.
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