Empty Rooms (1985 Version) amp settings — Victory V 40 deluxe
The Gary Moore guitar tone for “Empty Rooms (1985 Version)”, dialed in for a Victory V 40 deluxe with a Gibson Les Paul Standard 60s. Studio version, Run for Cover (1985) - Lead solo tone
Marshall 1959 Super Lead / JCM800, 1961 Fiesta Red Fender Stratocaster / Gibson Les Paul Standard, Ibanez TS9 / Boss DS-1, Roland SDE-3000 delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 5 |
| Master | 6 |
01Klone Centaur
Used as front-end overdrive push to achieve Gary's trademark endless singing sustain.
02Digital Delay (e.g. Boss DD-3 / DD-7)
RECOMMENDED — not currently owned (run in FX loop for 80s studio ambience)
The Victory V40 Deluxe is an American-voiced clean to edge-of-breakup platform, so the mid-range must be pushed and the onboard switchable gain/mid boost engaged to emulate a saturated British stack. Your Les Paul humbuckers provide the required thick body, while the Klone pushes the front end into singing saturation without getting muddy. Backing the guitar tone knob down to 7 warms up the top end to replicate Moore's fluid, vocal lead texture.
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These settings are for a Victory V 40 deluxe. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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