Still got the blues amp settings — Carlsbro Kickstar_10b
The Gary moor guitar tone for “Still got the blues”, dialed in for a Carlsbro Kickstar_10b with a Kaysen K-EG5. Studio version, Still Got the Blues album (1990, Virgin Records)
1959 Gibson Les Paul Standard (neck pickup, tone rolled to 6) → Marshall Guv'nor pedal (Gain 7, Mid 10) → Marshall JTM45 reissue (clean, Mid 9, Treble 7) → Marshall 1960B 4x12 with EV speakers. Subtle Roland Dimension D chorus on rhythm parts.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 3 |
| Mid | 10 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 2 |
| Master | 6 |
01Distortion/Overdrive Pedal (RECOMMENDED — not owned)
CRITICAL for this tone. A Boss DS-1, Joyo Ultimate Drive, or any Marshall-style distortion will get you closer. Moore's Guv'nor was the ONLY gain source — the amp was clean. Without a drive pedal, you cannot authentically replicate this tone.
The Carlsbro Kickstart 10B is a small solid-state practice amp with limited headroom and a basic 3-band EQ. It cannot replicate the JTM45's tube compression or the Guv'nor's mid-heavy saturation. I've maxed the mid control and pushed gain to 7 to approximate the thick lead voice, but the amp's preamp will sound fizzy and thin compared to the original. Without a dedicated overdrive pedal, this tone is fundamentally unobtainable — Moore's entire distortion came from the Guv'nor, not the amp.
Get this tone on your amp
These settings are for a Carlsbro Kickstar_10b. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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