Still got the blues amp settings — Stagg Be-100
The Garry Moore guitar tone for “Still got the blues”, dialed in for a Stagg Be-100 with a Ibanez Grx120sp. Studio album cut, Still Got the Blues (1990) - signature lead tone
1959 Gibson Les Paul Standard into Marshall The Guv'nor pedal into a 1989 prototype Marshall JTM45 reissue head through a 1960B 4x12 cab (with EVM12L speakers) and Roland SDD-320 Dimension D chorus/rack reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Treble | 4 |
| Master | 6 |
01Marshall The Guv'nor (or vintage-voiced Marshall MIAB style overdrive/distortion)
RECOMMENDED — not currently owned
The Stagg BE-100 is an obscure/practice-grade solid-state amplifier with a simplified control layout lacking dedicated mid, presence, and reverb knobs, so those are set to null. Because you own no overdrive or distortion pedals, push the amp's onboard drive/gain to 7 to deliver the necessary lead sustain and roll treble back to 4 to prevent the solid-state high end from sounding raspy. If you add a Guv'nor or Tube Screamer in the future, roll the amplifier's gain back down to 2 and let the pedal supply the thick midrange saturation. Clean rhythm parts: roll guitar volume down to 5.
Get this tone on your amp
These settings are for a Stagg Be-100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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