Everlong amp settings — Gigkit Max music 50 watt electric guitar ampliefeier
The Foofighters guitar tone for “Everlong”, dialed in for a Gigkit Max music 50 watt electric guitar ampliefeier with a Tenson Hss stratocaster. Studio version, The Colour and the Shape (1997), distorted rhythm tone
Mesa/Boogie Dual Rectifier, Gibson Trini Lopez (PAF humbuckers, bridge), no pedals for main rhythm tone
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
Your Gigkit Max is a budget solid-state practice amp with limited gain saturation and a brighter, thinner voicing than the Mesa Rectifier's thick tube compression. I pushed mids to 7 (vs Mesa's 6) to compensate for the solid-state's inherent scoop and dropped treble to 5 to tame harshness. Bass at 4 prevents mud since small speakers can't handle the low-end thump Grohl got from a 4x12. Your HSS Strat's bridge single-coil is thinner and brighter than his PAF humbuckers — the tone knob at 8 rolls off some ice-pick highs.
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These settings are for a Gigkit Max music 50 watt electric guitar ampliefeier. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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