Everlong amp settings — Ving FB-100
The Foo Fighters guitar tone for “Everlong”, dialed in for a Ving FB-100 with a Ibanez GRX70QA. Studio version, The Colour and the Shape (1997) — iconic drop-D verse and chorus riff
Gibson Trini Lopez (ES-335 style) with humbuckers into Mesa/Boogie Dual Rectifier (Modern high-gain channel), Marshall 4x12, and ProCo Rat
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 2 |
| Master | 6 |
The Ving FB-100 is an unrecognized amplifier model, so generic core parameters are applied and unverified controls are omitted. To capture Dave Grohl's Dual Rectifier sound, the amp's high-gain channel is pushed to 7 while scooping the mids to 4 to replicate the punchy modern-rock frequency profile. Your Ibanez GRX70QA bridge humbucker delivers the necessary output and bite without needing extra treble compensation. Clean verse intro: roll your guitar volume back to 4-5 or pick lightly near the neck.
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These settings are for a Ving FB-100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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