Everlong amp settings — Fender mustang Gtx50
The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender mustang Gtx50 with a PRS SE Custom 24. Studio version, The Colour and the Shape (1997) — main distorted riff
Mesa/Boogie Dual Rectifier (Modern channel), Gibson Explorer with bridge humbucker, Pro Co RAT for additional grit. Drop D tuning. Recorded at Grandmaster Studios with SM57 + Neumann U87.
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
The Mustang GTX50's Metal 2000 model emulates the Dual Rectifier's Modern channel. Your PRS SE Custom 24's humbuckers are hotter and brighter than Grohl's Explorer PAFs, so gain drops from 7 to 6 and treble stays at 7 rather than 7.5 to avoid harshness. Mid pushed to 6 to maintain the forward punch without the Mesa's natural mid-scoop. Reverb at 0 — the original is bone dry.
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