Tone library / Felix Bosques Harima / floods (outro)

floods (outro) amp settings — Roland Micro cube

The Felix Bosques Harima guitar tone for “floods (outro)”, dialed in for a Roland Micro cube with a Yamaha SBG-500. Cover version referencing Pantera's 'Floods' outro (The Great Southern Trendkill, 1996) — original uses high-gain Randall with heavy modulation

Original rig

Randall Century 200 / Solid State preamp, Dean ML with EMG 81/85, MXR Flanger/Chorus, delay, hall reverb

Singing, expressive lead tone with thick sustain, strong midrange presence, smooth highs, and lush ambient effects
Amp settings — Roland Micro cube
CHANNELLEAD (amp type selector)
GAIN 7 BASS 4 MID 7 TREBLE 5 REVERB 6 MASTER 5
KnobSetting (0–10)
Gain7
Bass4
Mid7
Treble5
Reverb6
Master5
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Guitar
PICKUPneck TONE6 VOLUME10
Signal chain

01Micro Cube built-in CHORUS (MODULATION selector)

Select CHORUS on the amp's modulation switch — critical for the shimmering Floods character

Depth (via DELAY/REVERB knob in CHORUS mode) 5

02Micro Cube built-in DELAY

Combine with reverb using the shared knob — aim for moderate slapback feel

Delay/Reverb Level 5
Why these settings

The Micro Cube's LEAD channel approximates high-gain territory but lacks the Randall's scooped solid-state attack. Mid pushed to 7 compensates for the Micro Cube's naturally darker voicing. Your Yamaha SBG-500's passive humbuckers are warmer than EMGs, so gain stays at 7 rather than higher — the neck pickup with tone at 6 delivers the smooth, singing quality Dimebag achieved. The built-in chorus and delay/reverb effects are essential here; without them, this tone falls flat.

PRO TIPDimebag's Floods outro relies heavily on vibrato control and pinch harmonics ringing out into the reverb — practice slow, wide vibrato and let notes sustain into the ambient wash rather than rushing phrases.

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