Cliffs of Dover amp settings — Line 6 HX Effects
The Eric Johnson guitar tone for “Cliffs of Dover”, dialed in for a Line 6 HX Effects with a Fender Vintera 60s Stratocaster. Studio version, Ah Via Musicom (1990) — signature violin lead tone
1969 Marshall Super Lead 100W (Treble 0, Presence 0, jumpered), Chandler Tube Driver, Maestro EP-3 Echoplex, 1954 Fender Stratocaster
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 8 |
| Treble | 2 |
| Presence | 0 |
| Reverb | 0 |
| Master | 8 |
01Dunlop Eric Johnson Fuzz Face
Use as primary high-gain fuzz source or stack gently into the preamp model
02Crazy Tube Circuits Crossfire
Set to Marshall/Left side for Tube Driver-style mid saturation and smooth clipping
03Line 6 HX Effects (Transistor Tape Delay Block)
Emulates the Maestro EP-3 Echoplex set to ~360ms quarter-note repeats
04TC Electronic SCF
Chorus mode for subtle dimensional widening and lush texture
05Strymon Cloudburst
Ensemble off; set for a warm ambient room tail that stays behind the notes
To replicate Eric Johnson's 'dark lead' voicing on single coils, treble and presence are rolled heavily back while pushing the midrange. The Bridge pickup requires the tone control rolled down to 6 to eliminate Strat ice-pick frequencies and achieve that signature flute-like, rounded contour. The Crossfire handles the smooth Chandler Tube Driver EQ curve directly into the HX Effects delay and ambient chain.
Get this tone on your amp
These settings are for a Line 6 HX Effects. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.