Hotel California amp settings — FirstAct MA155
The Eagles guitar tone for “Hotel California”, dialed in for a FirstAct MA155 with a Spectrum AIL-95. Studio version, Hotel California album (1976) — Don Felder's lead solo tone
1959 Gibson Les Paul Standard (PAF humbuckers) → Fender Tweed Deluxe 5E3 (~1955, cranked) → Maestro Echoplex EP-3 tape delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 5 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 2 |
| Master | 6 |
01NUX MG-300 Mk2 — Tape Echo/Delay Block
Select 'Tape Echo' or 'Analog Delay' model to approximate Echoplex warmth. 340-380ms delay time. Subtle repeats, not runaway.
02NUX MG-300 Mk2 — Overdrive Block (Tweed-style or TS model)
Use 'Tweed' or 'Blues OD' amp model in the MG-300 to simulate the cranked Deluxe compression. Keep drive moderate — this tone breaks up on pick attack, not constant saturation.
03NUX MG-300 Mk2 — Chorus Block (optional)
Very subtle — adds slight thickening heard on some Walsh harmony parts. Turn off if you want pure Felder lead tone.
The FirstAct MA155 is a small solid-state practice amp with limited headroom and no tube breakup. The MG-300 must provide ALL the gain character and Tweed-style compression — use its amp modeling block set to a Tweed or Fender model, not the FirstAct's preamp. Mid pushed to 7 compensates for the Spectrum's likely bright, thin voicing vs Felder's fat PAF humbuckers. Treble dropped to 5 to avoid ice-pick harshness.
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These settings are for a FirstAct MA155. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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