Hotel California amp settings — Boss Katana 100 MkII
The Eagles guitar tone for “Hotel California”, dialed in for a Boss Katana 100 MkII with a Fender Player Stratocaster. Studio version, Hotel California (1976) — Joe Walsh lead solo part
Fender Telecaster, cranked small Tweed Champ / Roland Cube 40, MXR Phase 90, Echoplex tape delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 4 |
| Master | 5 |
01Onboard Booster (Clean Boost / Blues Drive)
Katana onboard BST block to push edge-of-breakup response
02Onboard Phaser (Script Phase 90 model)
Katana onboard MOD block dialed low for subtle swirl
03Onboard Tape Delay
Katana onboard DELAY block to mimic the Echoplex ambience
The Katana's Crunch voice accurately captures the gritty upper-mid drive of Walsh's cranked small combo. Rolling the Strat's tone knob slightly back to 8 tames the single-coil spike to match the fuller bite of a vintage Telecaster bridge pickup. Presence is kept at 6 to maintain the recorded top-end air without introducing harshness.
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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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