Tone library / Dream Theater / Scene Two: I. Overture 1928

Scene Two: I. Overture 1928 amp settings — M-Vave Tank G V2

The Dream Theater guitar tone for “Scene Two: I. Overture 1928”, dialed in for a M-Vave Tank G V2 with a Gibson SG Standard 61. Studio version, Metropolis Pt. 2: Scenes from a Memory (1999) - Main lead & heavy rhythm themes

Original rig

Ibanez JPM100 (DiMarzio Air Norton / Steve's Special) -> Mesa Boogie Mark IIC+ / Dual Rectifier / TriAxis rig -> Lexicon / TC Electronic delay and reverb

Thick, liquid, mid-focused progressive metal lead and tight rhythm tone
Amp settings — M-Vave Tank G V2
CHANNELAmp Model: Cali Mk / US Lead (Mesa Mark style)BOOSToff
GAIN 7 BASS 5 MID 7 TREBLE 6 REVERB 3 MASTER 6
KnobSetting (0–10)
Gain7
Bass5
Mid7
Treble6
Reverb3
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Tank G Delay Module

Set to roughly 420-450ms dotted-eighth or quarter delay

Time 5 · Feedback 4 · Mix 3

02Tank G Reverb Module

Smooth studio plate/hall space

Decay 4 · Tone 5 · Mix 3
Why these settings

The Tank G's US/Cali Lead preamp model captures Petrucci's Mesa Boogie Mark-series upper-mid punch. Because the SG's 60s Burstbuckers have a warmer, woodier low-mid response than Petrucci's ceramic bridge pickups, keep the bass tight at 5 and push the mid control to 7 for articulate note separation. For the singing melodic solo sections (Metropolis and One Last Time themes), switch to the neck pickup with volume maxed.

PRO TIPPetrucci achieves his signature fluid attack with a rigid 1.5mm pick held close to the tip, applying strict alternate picking right next to the bridge saddles.

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These settings are for a M-Vave Tank G V2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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