Tone library / Dream Theater / Metropolis, Pt. 1: The Miracle and the Sleeper

Metropolis, Pt. 1: The Miracle and the Sleeper amp settings — Boss GX-100

The Dream Theater guitar tone for “Metropolis, Pt. 1: The Miracle and the Sleeper”, dialed in for a Boss GX-100 with a Kramer Striker. Studio version, Images and Words (1992) — Main heavy riff

Original rig

Mesa/Boogie Mark IIC+, Ibanez RG custom with DiMarzio pickups, 4x12 cab with Celestion V30s

Tight, articulate high-gain with punchy mids, controlled low-end, and smooth top — precise prog-metal rhythm and fluid leads
Amp settings — Boss GX-100
CHANNELBG LEAD (Mesa Mark II C+ Lead model) + 4x12 Celestion V30 Cab IRBRIGHToffBOOSToff
GAIN 7 BASS 4 MID 6 TREBLE 6 PRESENCE 6 REVERB 1 MASTER 6
KnobSetting (0–10)
Gain7
Bass4
Mid6
Treble6
Presence6
Reverb1
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01GX-100 OD/DS Block (T-SCREAM / Screamer)

Used strictly as a clean mid-boost to tighten the low-end before the amp block

Drive 0 · Tone 5 · Level 8

02GX-100 Graphic EQ Block

Placed post-amp to recreate the iconic Mesa 5-band classic V-curve scoop

100Hz 4 · 200Hz 6 · 400Hz 3 · 800Hz 4 · 1.6kHz 6 · 3.2kHz 5

03GX-100 Noise Suppressor (NS)

Essential to clamp down between tight progressive staccato rhythms

Threshold 6 · Release 3
Why these settings

The Mesa Mark IIC+ rhythm tone relies on keeping the pre-gain bass knob low (around 4) to avoid mud, while restoring lower frequencies via the post-amp Graphic EQ block. The Kramer Striker humbucker provides plenty of output, so setting the onboard TS-style boost with zero drive and high level provides the exact tightness and percussive attack heard on the track. Clean intro/verse: bypass the OD block, switch amp to CLEAN TWIN, and engage the Stereo Chorus block.

PRO TIPDig into the strings with a heavy, sharp plectrum (like a 1.5mm Jazz III) right near the bridge for the immediate, hyper-fast transient response Petrucci uses on the main 7/8 rhythm.

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