White room - Royal Albert Hall 1968 amp settings — Marshall Studio Vintage SV20H
The Cream guitar tone for “White room - Royal Albert Hall 1968”, dialed in for a Marshall Studio Vintage SV20H with a Fender Player Stratocaster. Live at Royal Albert Hall (Farewell Concert, November 26, 1968), opening riff and rhythm
1964 Gibson ES-335 (or 'The Fool' 1964 Gibson SG) into Marshall JTM45/100 and 100W Super Lead Plexi full stacks, Vox Clyde McCoy Wah
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 7 |
| Mid | 8 |
| Treble | 5 |
| Presence | 4 |
01Vox Clyde McCoy / V846 Wah-Wah
RECOMMENDED — not currently owned; essential for the intro sweeps and crying rhythmic accents
The SV20H is a direct 20W Plexi reproduction of Clapton's 1968 Marshall stacks, so crank Loudness 1 to 8 and jumper it into Loudness 2 at 7 to capture that thick non-master saturation. Because you are playing single-coil Strat pickups instead of Clapton's Gibson PAF humbuckers, rolling your Strat's neck tone down to 4 recreates his creamy 'woman tone' and cuts single-coil harshness without needing external gain pedals. Treble and presence are kept moderate to avoid bright-cap spike on the SV20H's High Treble input.
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These settings are for a Marshall Studio Vintage SV20H. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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