Um Minuto Para o Fim do Mundo amp settings — Borne Vorax 630 Studio
The CPM 22 guitar tone for “Um Minuto Para o Fim do Mundo”, dialed in for a Borne Vorax 630 Studio with a tagima TW 61. Studio version, Felicidade Instantânea (2005)
Mesa Boogie Dual Rectifier, Gibson Les Paul with humbuckers, Boss DS-1 or similar distortion for edge, Marshall 4x12 cabinet. Wally (guitarist) known for high-gain modern rock tones typical of Brazilian rock/punk of that era.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 0 |
| Master | 5 |
The Borne Vorax 630 is a Brazilian solid-state practice amp with limited high-gain capabilities compared to the original Rectifier tone. Pushed the Overdrive channel to gain 7 — going higher gets fizzy on this amp. Mid at 7 compensates for the amp's naturally scooped voicing and recovers the punchy CPM 22 attack. Bass kept moderate at 5 to avoid flub through the small speaker. Reverb 0 because the recording is bone dry.
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