Tone library / CPM 22 / Um Minuto Para o Fim do Mundo

Um Minuto Para o Fim do Mundo amp settings — Borne Vorax 630 Studio

The CPM 22 guitar tone for “Um Minuto Para o Fim do Mundo”, dialed in for a Borne Vorax 630 Studio with a tagima TW 61. Studio version, Felicidade Instantânea (2005)

Original rig

Mesa Boogie Dual Rectifier, Gibson Les Paul with humbuckers, Boss DS-1 or similar distortion for edge, Marshall 4x12 cabinet. Wally (guitarist) known for high-gain modern rock tones typical of Brazilian rock/punk of that era.

Aggressive mid-forward punk rock crunch with tight palm mutes, modern Brazilian rock edge, saturated but articulate rhythm tone
Amp settings — Borne Vorax 630 Studio
CHANNELOverdrive
GAIN 7 BASS 5 MID 7 TREBLE 6 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain7
Bass5
Mid7
Treble6
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

The Borne Vorax 630 is a Brazilian solid-state practice amp with limited high-gain capabilities compared to the original Rectifier tone. Pushed the Overdrive channel to gain 7 — going higher gets fizzy on this amp. Mid at 7 compensates for the amp's naturally scooped voicing and recovers the punchy CPM 22 attack. Bass kept moderate at 5 to avoid flub through the small speaker. Reverb 0 because the recording is bone dry.

PRO TIPDig in hard with the pick near the bridge for that aggressive punk attack — CPM 22's tone relies heavily on picking dynamics and tight palm muting rather than excessive gain. A Tube Screamer or DS-1 style pedal in front would get you much closer to that Rectifier saturation if you add one later.

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These settings are for a Borne Vorax 630 Studio. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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