Summer of 69 amp settings — Boss Katana-50
The Bryan Adams guitar tone for “Summer of 69”, dialed in for a Boss Katana-50 with a Harly Benton Single-Cutaway-Korpus. Studio version, Reckless album (1984)
Fender Stratocaster through Marshall Plexi or Vox AC30, Boss BF-2 flanger (set as comb filter), compression, reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 3 |
| Master | 5 |
01Katana Built-in Compressor (via Tone Studio)
Enables smooth dynamics and sustain characteristic of the recording
02Katana Built-in Flanger (via Tone Studio)
Set rate near zero with manual high to create comb-filter effect heard on recording — subtle, not swooshy
Your Harley Benton single-cut likely has humbuckers — these are warmer and hotter than Scott's Strat single-coils. I've pushed mids to 7 (vs typical 5-6) to recover that vocal presence, rolled treble back slightly to prevent harshness, and dropped volume knob to 9 to clean up the attack. The Katana Crunch channel approximates the Marshall/Vox edge without excess saturation.
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These settings are for a Boss Katana-50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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