Tone library / Bryan Adams / Summer of 69

Summer of 69 amp settings — Boss Katana-50

The Bryan Adams guitar tone for “Summer of 69”, dialed in for a Boss Katana-50 with a Harly Benton Single-Cutaway-Korpus. Studio version, Reckless album (1984)

Original rig

Fender Stratocaster through Marshall Plexi or Vox AC30, Boss BF-2 flanger (set as comb filter), compression, reverb

Bright, jangly 80s crunch with midrange presence and arena-rock shimmer
Amp settings — Boss Katana-50
CHANNELCrunch amp typeBOOSToff
GAIN 4 BASS 4 MID 7 TREBLE 6 PRESENCE 6 REVERB 3 MASTER 5
KnobSetting (0–10)
Gain4
Bass4
Mid7
Treble6
Presence6
Reverb3
Master5
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Guitar
PICKUPbridge+middle TONE8 VOLUME9
Signal chain

01Katana Built-in Compressor (via Tone Studio)

Enables smooth dynamics and sustain characteristic of the recording

Sustain 4 · Level 6

02Katana Built-in Flanger (via Tone Studio)

Set rate near zero with manual high to create comb-filter effect heard on recording — subtle, not swooshy

Rate 0 · Depth 2 · Manual 8 · Resonance 3
Why these settings

Your Harley Benton single-cut likely has humbuckers — these are warmer and hotter than Scott's Strat single-coils. I've pushed mids to 7 (vs typical 5-6) to recover that vocal presence, rolled treble back slightly to prevent harshness, and dropped volume knob to 9 to clean up the attack. The Katana Crunch channel approximates the Marshall/Vox edge without excess saturation.

PRO TIPThe secret sauce is that nearly-static flanger acting as a comb filter — it adds the shimmery, slightly hollow texture that makes this tone recognizable. Without it, the tone sounds flat. Access it through Boss Tone Studio; if unavailable, a phaser with zero rate is a rough substitute.

Get this tone on your amp

These settings are for a Boss Katana-50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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