Heaven amp settings — Sonicace Pocket master
The Bryan Adams guitar tone for “Heaven”, dialed in for a Sonicace Pocket master with a Donner Dst 152. Studio version, Reckless (1984) — signature soaring intro and melodic guitar solo
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, Bob Clearmountain studio plate reverb and analog delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 5 |
| Master | 7 |
01TS-style Overdrive Block
Clean-boost push into the amp block to tighten the low end and add singing sustain
02Digital Delay Block
Set to roughly 380ms quarter-note delay to replicate Bob Clearmountain's studio mix ambience
The Donner DST-152's bridge humbucker gives more immediate low-mid punch than Keith Scott's single-coil Strat, so rolling tone back to 8 rounds off excessive bite while keeping the Marshall crunch singing. On the Sonicake Pocket Master, run a JCM-style high-gain amp voice with mids pushed to 7 to recreate the signature British mid bark. Because this is a modeling unit, the onboard TS boost and delay blocks supply the exact sustain and spatial depth of the Power Station studio tracking without external gear.
Get this tone on your amp
These settings are for a Sonicace Pocket master. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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