Heaven amp settings — Digitech RP50
The Bryan Adams guitar tone for “Heaven”, dialed in for a Digitech RP50 with a Fender American Professional II Stratocaster. Studio version, Reckless (1984), recorded at Power Station NYC
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, studio plate/hall reverb & analog delay mixed by Bob Clearmountain
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 6 |
| Master | 8 |
01RP50 Compressor / Sustainer
Engage onboard Comp block (C3-C5) for singing lead sustain without harsh breakup
02RP50 Analog Delay Block
Set delay time around 380-420ms for lush Power Station studio lead depth
03RP50 Hall / Studio Reverb Block
Replicates the classic Lexicon 224 studio ambience dialed by Bob Clearmountain
The RP50's digital Marshall stack emulation (b5) delivers the core crunch and midrange bite of Keith Scott's Super Lead rig. Rolling the Strat tone knob back slightly to 8 tames the modern V-Mod bridge pickup bite to match the warmer response of vintage 1970s single coils. The onboard delay and reverb blocks provide the massive 1980s studio space originally printed at the mixing desk.
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These settings are for a Digitech RP50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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