You Give Love a Bad Name amp settings — Boss GX-100
The Bon Jovi guitar tone for “You Give Love a Bad Name”, dialed in for a Boss GX-100 with a Gibson Firebird. Studio cut, Slippery When Wet (1986) — main rhythm riff and fills
Modified Marshall JCM800 2203/Plexi, Kramer Pacer Custom (Seymour Duncan JB humbucker), Boss OD-1 / Ibanez TS9 boost, studio plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
01GX-100 OD block (T-SCREAM)
Clean boost into the BRIT STACK to tighten lows and add upper-mid cut
02GX-100 PLATE REVERB block
Studio arena plate space after amp block
The Firebird's mini-humbuckers have a tighter low end and brighter cut than Sambora's Seymour Duncan JB, so keep the BRIT STACK bass around 4 to avoid thud and lean into the 7 mid setting to fill out the core body. On the GX-100, the BRIT STACK block pushed with a T-SCREAM set as a level boost authentically recreates the cranked JCM800 front-end saturation without muddy preamp fizz. Solo switch: tap an onboard GX-100 pitch/harmonizer or wah block with a slight level lift for the lead break.
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