Tone library / Black sabbath / War pigs

War pigs amp settings — Fender Front man 15

The Black sabbath guitar tone for “War pigs”, dialed in for a Fender Front man 15 with a Prs Swamp ash special. Studio version, Paranoid album (1970)

Original rig

Gibson SG Standard (P-90s) → Dallas Rangemaster treble booster → Laney LA100BL Supergroup head

Thick, mid-forward doom crunch with grinding sustain and a dark, massive low-end presence
Amp settings — Fender Front man 15
GAIN 3 BASS 4 MID 7 TREBLE 4 PRESENCE 0 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain3
Bass4
Mid7
Treble4
Presence0
Reverb0
Master6
Don’t have a Fender Front man 15? See this song on other amps → Match your own rig →
Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Holy War (High-gain distortion)

This is your primary gain source. The Holy War is voiced for modern metal, so pull the gain back from max to avoid fizz and keep the mids pushed for Iommi's wall-of-sound approach.

Gain 6 · Bass 5 · Mid 7 · Treble 4 · Level 7
Why these settings

The Frontman 15 is a small solid-state practice amp with a bright, scooped Fender voicing and minimal headroom—it cannot produce Laney-style tube saturation on its own. The Holy War pedal becomes your entire gain stage; the amp is set clean (gain 3) to act as a flat platform. Mids are pushed to 7 on the amp to compensate for the Fender scoop and match Iommi's mid-forward bark. Your PRS humbuckers are hotter than Iommi's P-90s, so the pedal gain is set moderate (6) to avoid mud.

PRO TIPRoll your guitar's tone knob to 7 to tame the high-frequency sizzle from the humbuckers and get closer to the woolly, dark P-90 character Iommi had. Pick closer to the neck for the main riff to thicken the attack.

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These settings are for a Fender Front man 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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