Paranoid amp settings — Markbass Little Mark III
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Markbass Little Mark III with a Squire Classic Vibe Duo-Sonic HS. Studio version, Paranoid album (1970) — recorded in approximately 8 hours total session time
Gibson SG Standard → Dallas Rangemaster treble booster → Laney LA100BL (normal channel, inputs overloaded for boost)
| Knob | Setting (0–10) |
|---|---|
| Gain | 0 |
| Bass | 0 |
| Mid | 10 |
| Treble | 10 |
| Presence | 10 |
| Reverb | 0 |
| Master | 7 |
01Electro-Harmonix LPB-1 or TC Electronic Spark Mini (treble booster substitute)
RECOMMENDED — not currently owned. Critical to this tone. A Rangemaster-style treble booster cuts bass and pushes upper mids into the amp. Without this, you cannot authentically recreate Iommi's sound. Budget alternative: EHX LPB-1 ($45) or TC Spark Mini ($50). Run directly into amp input.
Your Markbass Little Mark III is a bass amp designed for clean, flat response with very different EQ voicing than a guitar tube amp — this is a fundamental mismatch for replicating Iommi's overdriven Laney tone. The Markbass will not break up or distort naturally. I've maxed mid/treble/presence and zeroed bass to approximate Iommi's settings, but without a dirt pedal you will only get a clean, bright tone with no grit. A treble booster or overdrive pedal is mandatory to get anywhere close.
Get this tone on your amp
These settings are for a Markbass Little Mark III. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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