Tone library / Black Sabbath / Paranoid

Paranoid amp settings — Kinsman 10 watt

The Black Sabbath guitar tone for “Paranoid”, dialed in for a Kinsman 10 watt with a Squier Affinity Stratocaster. Studio version, Paranoid album (1970)

Original rig

Gibson SG Standard (bridge pickup) → Dallas Rangemaster treble booster → Laney LA100BL 100-watt head, all EQ maxed except bass at 0, amp cranked to overdrive

Aggressive, trebly crunch with scooped bass and biting upper-mids, raw and grinding
Amp settings — Kinsman 10 watt
GAIN 7 BASS 2 MID 4 TREBLE 8 PRESENCE 0 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass2
Mid4
Treble8
Presence0
Reverb0
Master6
Don’t have a Kinsman 10 watt? See this song on other amps → Match your own rig →
Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Treble Booster / Clean Boost (e.g., TC Electronic Spark Mini, MXR Micro Amp, or Electro-Harmonix LPB-1)

RECOMMENDED — not currently owned. The Rangemaster treble booster was essential to Iommi's tone, pushing the amp into saturation while adding treble cut-through. A basic clean boost or treble booster clone is necessary to get this tone from a small practice amp.

Level/Gain 7
Why these settings

Your Kinsman 10W is a small solid-state practice amp with limited gain and headroom — it cannot replicate a cranked 100W Laney naturally overdriving. I've pushed gain to 7 and treble to 8 to compensate for the Strat's brighter, thinner single-coils vs Iommi's fat SG humbuckers. Bass is dropped to 2 (original was 0) because the Strat already lacks low-end. Without a boost pedal, you will get a thin approximation; the amp simply cannot saturate like the original rig.

PRO TIPPalm-mute the low E string aggressively and dig in hard with your pick near the bridge — Iommi's attack is percussive and punchy, and this playing technique matters more than gear when your amp has limited gain on tap.

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These settings are for a Kinsman 10 watt. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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