Paranoid amp settings — Ibanez Ibz10gv2s solid state combo
The Black sabbath guitar tone for “Paranoid”, dialed in for a Ibanez Ibz10gv2s solid state combo with a Fender Player Stratocaster. Studio version, Paranoid album (1970)
Gibson SG Standard with humbuckers (bridge pickup) → Dallas Rangemaster treble booster → Laney Supergroup 100W. Amp set with bass 0, mid/presence/treble all at 10, gain cranked for natural tube overdrive.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 3 |
| Mid | 8 |
| Treble | 7 |
| Master | 6 |
01Treble Booster or Overdrive (e.g., TC Electronic Spark Booster, EHX Soul Food, or Boss SD-1)
RECOMMENDED — not currently owned. Essential for this tone. The Dallas Rangemaster pushed Iommi's amp into saturation with added treble bite. A treble booster or transparent overdrive with the tone cranked will get you closest. Without this pedal, the tone will lack the aggressive edge and harmonic saturation that defines the track.
The Ibanez IBZ10GV2 is a small solid-state practice amp that cannot replicate Laney tube saturation on its own — its gain maxed still sounds thin and fizzy. Compensating for your Strat's bright single-coils vs Iommi's dark SG humbuckers: bass raised from original's 0 to 3 for body, mid pushed to 8 to approximate the SG's thick midrange, treble at 7 (not maxed) because single-coils are already bright. The amp lacks presence and reverb knobs — these are nulled. A drive pedal is mandatory to reach this tone's saturation level.
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These settings are for a Ibanez Ibz10gv2s solid state combo. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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