Paranoid amp settings — Herly Bebton HB-20R
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Herly Bebton HB-20R with a Herly Bebton Stratocaster. Studio version, Paranoid album (1970)
Gibson SG Standard (bridge pickup) → Rangemaster treble booster (modified) → Laney LA100BL head into Laney 4x12 cabs, all EQ maxed except bass at 0
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 2 |
| Mid | 7 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster (e.g., TC Electronic Spark Booster or EHX LPB-1)
RECOMMENDED — not currently owned. The Rangemaster was essential to Iommi's sound; it pushed the amp into saturation and added treble cut-through. A basic treble booster or clean boost with tone control gets you there.
Your Herly Bebton HB-20R is a small solid-state practice amp with limited gain on tap—it cannot replicate a cranked Laney's natural tube saturation. Iommi ran bass at 0 on the original, but your Strat's single coils are already thin compared to his SG humbuckers, so bass is raised to 2 to prevent ice-pick harshness. Mid and treble stay high to preserve the aggressive bite. Without a booster pedal, this amp will sound clean and anemic; the recommended treble booster is mandatory to approximate the grind.
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These settings are for a Herly Bebton HB-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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