Paranoid amp settings — Fender Super Champ x2
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Fender Super Champ x2 with a Gibson Melody Maker. Studio version, Paranoid album (1970)
1965 Gibson SG Special with P90 pickups (bridge), Laney LA100BL/Supergroup 100W head cranked (Presence 10, Bass 0, Mid 10, Treble 10, Gain 10 into bass input), Dallas Rangemaster treble booster
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 3 |
| Mid | 8 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
Iommi ran bass at 0 and mids/treble/presence at 10 into a cranked Laney with a Rangemaster boosting treble frequencies. The Super Champ x2 is Fender-voiced (scooped mids, bright treble shelf), so mid is pushed to 8 and treble pulled back to 7 to approximate the Laney's midrange bark. Bass raised slightly to 3 because the Melody Maker's single-coil is thinner than Iommi's P90 SG. Without a treble booster pedal, you cannot fully replicate the pushed, honky grind—gain maxed on the Tweed voice gets you closest to power-tube saturation. A Rangemaster-style pedal (TC Electronic Spark Booster, EHX Screaming Bird, or Catalinbread Sabbra Cadabra) is RECOMMENDED to nail the boosted attack.
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These settings are for a Fender Super Champ x2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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