Paranoid amp settings — Behringer Ha40
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Behringer Ha40 with a Jackson Soloist Pro. Studio version, Paranoid album (1970)
Gibson SG Standard → Dallas Rangemaster treble booster → Laney LA100BL heads into 4x12 cabs, inputs overloaded for extra gain
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 2 |
| Mid | 8 |
| Treble | 7 |
| Presence | 7 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster (e.g., TC Electronic Spark Mini or EHX LPB-1)
RECOMMENDED — not currently owned. Critical to the Iommi sound; a Rangemaster-style booster or any clean boost with treble emphasis will push the amp into that searing, cutting tone. Without this, the tone will lack the aggressive bite.
The Behringer HA40 is a solid-state practice amp with a fundamentally different voicing than Iommi's cranked tube Laneys. I've pushed gain to 8 to compensate for the lack of tube breakup, kept bass at 2 (Iommi used zero bass on his Laneys), and maxed mids at 8 to replicate his mid-forward attack. Your Jackson's hot humbuckers will help drive the front end harder than Iommi's lower-output SG pickups, partially compensating for the missing treble booster.
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These settings are for a Behringer Ha40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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