Paranoid amp settings — Audition Solid state mini stack
The Black Sabbath guitar tone for “Paranoid”, dialed in for a Audition Solid state mini stack with a WashBurn Bt-3. Studio version, Paranoid album (1970)
Gibson SG Standard → Dallas Rangemaster treble booster → Laney LA100BL 100w heads into 4x12 cabs. Presence/Mid/Treble all at 10, Bass at 0.
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 2 |
| Mid | 8 |
| Treble | 7 |
| Presence | 7 |
| Reverb | 0 |
| Master | 6 |
01Distortion (unspecified)
This is your primary gain source — Iommi's tone came from a Rangemaster treble booster pushing the amp. Your distortion pedal must do the heavy lifting since solid-state amps don't break up naturally. Push the tone knob high to replicate the treble boost character.
Iommi ran zero bass and maxed treble into a tube amp that compressed and saturated. Your Audition solid-state won't compress the same way — it stays clean and stiff. I've added bass back to 2 (from 0) because solid-state amps sound thin and ice-picky without any low end. Your distortion pedal replaces the Rangemaster + amp breakup entirely, so amp gain stays low at 3 to avoid fizzy stacking. The Washburn's humbuckers are hotter than a vintage SG, which helps approximate the output.
Get this tone on your amp
These settings are for a Audition Solid state mini stack. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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