Tone library / Black sabbath / Iron man

Iron man amp settings — Orange Crush 20

The Black sabbath guitar tone for “Iron man”, dialed in for a Orange Crush 20 with a Ibanez GIO GRG170DX. Studio version, Paranoid (1970)

Original rig

1965 Gibson SG Special (P-90 bridge pickup) → modified Dallas Rangemaster Treble Booster → Laney Supergroup LA100BL (100W, cranked, bass input) → Laney 4x12 with Celestion G12-25M speakers

Thick, mid-heavy crunch with a hollow, boxy honk and aggressive upper-mid bite
Amp settings — Orange Crush 20
CHANNELDirty channel
GAIN 8 BASS 3 MID 8 TREBLE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain8
Bass3
Mid8
Treble6
Reverb0
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Treble Booster (e.g., TC Electronic Spark Booster, EHX LPB-1, or BSM Treble Booster)

RECOMMENDED — not currently owned. Essential for this tone — the Rangemaster pushed the Laney into saturation and added the aggressive upper-mid cut. A basic clean boost with treble emphasis gets you 70% there.

Level/Gain 6 · Treble/Range 7
Why these settings

The original Laney was scooped (bass at 0) because the Rangemaster and P-90s added so much low-mid content. Your Crush 20 is already warm and thick-voiced, and your Ibanez humbuckers are hotter and bassier than Iommi's P-90s — so I've kept bass low at 3 to avoid mud. Mid pushed to 8 recreates that boxy honk. Treble at 6 (not 10) because Orange amps have more inherent high-mid presence than the Laney. Without a treble booster, you'll lack the sizzling attack — the pedal is strongly recommended.

PRO TIPIommi used light strings (.009-.042) and a medium pick with aggressive downstrokes directly over the bridge pickup pole pieces — this adds the percussive 'chunk' that defines the riff. Roll your tone knob to 7 to tame the Ibanez's brighter ceramic humbuckers and get closer to the P-90's woody midrange.

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These settings are for a Orange Crush 20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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