Into the void amp settings — Boss Katana 50 MkII
The Black sabbath guitar tone for “Into the void”, dialed in for a Boss Katana 50 MkII with a Squier Bullet Stratocaster. Studio version, Master of Reality (1971)
1964 Gibson SG Special with P90 pickups → Rangemaster treble booster → Laney Supergroup/Klipp 100W head into 4x12 cabs, tuned C# standard
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 7 |
| Mid | 8 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 7 |
01Boss Katana built-in Treble Booster (via Tone Studio)
Access via Boss Tone Studio software — assign to Booster slot; essential for Iommi's cutting harmonic saturation. If unavailable, use the amp's built-in Booster set to TB (Treble Boost) mode
Your Strat's single coils are brighter and lower output than Iommi's P90s, so I pushed mids to 8 (vs a typical 6-7) to compensate for the Strat's natural scoop, and rolled treble back to 5 to avoid ice-pick highs. The Brown amp type on the Katana nails the British valve stack character. Rolling your tone knob to 7 warms the bridge single coil closer to P90 territory.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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