Tone library / Black sabbath / Into the void

Into the void amp settings — Boss Katana 50 MkII

The Black sabbath guitar tone for “Into the void”, dialed in for a Boss Katana 50 MkII with a Squier Bullet Stratocaster. Studio version, Master of Reality (1971)

Original rig

1964 Gibson SG Special with P90 pickups → Rangemaster treble booster → Laney Supergroup/Klipp 100W head into 4x12 cabs, tuned C# standard

Thick, sludgy low-end crunch with midrange bite and vintage fuzz-edged saturation
Amp settings — Boss Katana 50 MkII
CHANNELBrown amp typeBRIGHToffBOOSToff
GAIN 7 BASS 7 MID 8 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain7
Bass7
Mid8
Treble5
Presence4
Reverb0
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Boss Katana built-in Treble Booster (via Tone Studio)

Access via Boss Tone Studio software — assign to Booster slot; essential for Iommi's cutting harmonic saturation. If unavailable, use the amp's built-in Booster set to TB (Treble Boost) mode

Level 7 · Tone 6
Why these settings

Your Strat's single coils are brighter and lower output than Iommi's P90s, so I pushed mids to 8 (vs a typical 6-7) to compensate for the Strat's natural scoop, and rolled treble back to 5 to avoid ice-pick highs. The Brown amp type on the Katana nails the British valve stack character. Rolling your tone knob to 7 warms the bridge single coil closer to P90 territory.

PRO TIPTune down to C# standard (C#-F#-B-E-G#-C#) — this is non-negotiable for the song's crushing weight. Use heavier strings (.011-.052 minimum) to maintain tension and prevent flub at that tuning. Palm mute hard right at the bridge saddles for that iconic chunk.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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