Electric Funeral amp settings — Harley Benton HB-40
The Black Sabbath guitar tone for “Electric Funeral”, dialed in for a Harley Benton HB-40 with a Harley Benton Sc-500 no vintage series. Studio version, Paranoid (1970)
Gibson SG (bridge humbucker) → Dallas Rangemaster treble booster (modified) → Tycobrahe Parapedal / Vox Wah → Laney LA100BL cranked full
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 8 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 1 |
| Master | 5 |
01Standard Wah Pedal (Cry Baby or Parapedal style)
RECOMMENDED — not currently owned; essential for the signature slow filter sweeps on the main riff
02Dallas Rangemaster / Treble Booster
RECOMMENDED — not currently owned; pushes the front end into Sabbath's biting, cutting fuzz-like sustain
The Harley Benton HB-40's Overdrive channel is pushed to gain 7 to capture Tony Iommi's cranked Laney power-stage breakup without external pedals. Treble is dialed to 6 and mids to 7 to replicate the bite of a modified treble booster hitting British power tubes, while bass is kept thick at 8 for the iconic doom sludge. Presence is null as the HB-40 lacks a presence control.
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These settings are for a Harley Benton HB-40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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